The real problem isn’t that it’s difficult to decide who owns culture; it’s that the very idea of ownership is the wrong model. The Copyright Clause of the United States Constitution supplies a plausible reason for creating ownership of words and ideas… But the arts progressed perfectly well in the world’s traditional cultures without these protections; and the traditional products and practices of a group—its songs and stories, even its secrets—are not best understood as its property, or made more useful by being tethered to their putative origins. (Kwame Anthony Appiah, The Lies That Bind)