Broomberg & Chanarin, Shirley 1, from the series How to Photograph the Details of a Dark Horse in Low Light, 2012

… hmmm… the above photograph was the lead in to [this article](https://www.anothermag.com/art-photography/13666/the-camera-is-not-innocent-a-history-of-the-white-gaze-in-photography?utm_source=Link&utm_medium=Link&utm_campaign=RSSFeed&utm_term=the-camera-is-not-innocent-a-history-of-the-white-gaze-in-photography “Miller, Daniel-Yaw, “The Camera Is Not Innocent”: A History of the White Gaze in Photography, AnOther Magazine”) about a new book, The Image of Whiteness… the title and lead in image are a bit of misdirection… intentional, maybe clever, but misdirection none-the-less… the book is broadly about how photography and photographers support white hegemony through image making… as the article describes it, it has little to do with the other type of gaze, the (mostly white) male gaze… and yet, we have a lead in image that is reminiscent of pinup girl images of the 40’s and 50’s… i think the subject is interesting… though i am personally more interested in the subject of women in photography (the more conscious reason for pursuing the article further)… in front of the camera, behind the camera, as curators, as critics… and… in general, i admit to being suckered in every time by an image of an attractive-to-me young woman… as i have said, many times, almost all of us are hardwired to have a sexual response to the encounter of possible sexual partners… whether we are enlightened human beings or not depends on how gracefully we can move beyond that first primal instinct to a fuller appreciation of all the dimensions of the human being in front of us…